|Birth place or City of origin:|
|State of origin:|
|Last known City:||Carmel Valley|
|Last known State:||CA|
Swanson’s unerring realism comes from a lifetime affinity for cowboys and horses dating back to the 1940s when he worked in the Tehachapi’s with the last of the great vaqueros. Jack and his wife reside on the same ranch they built 40+ years ago and it is probably the only studio with an indoor stall allowing him to paint horses from life. He is also a past vice president of the Cowboy Artists of America, once teaching a CAA workshop called, “Anatomy of the Horse in Action.”
From the vast rangelands of Nevada and eastern Oregon to the pastoral oak-covered hills of California, the images in Jack Swanson’s work have an unerring realism. Swanson comes by that realism honestly. In the early 1940s, he worked in the Tehachapi’s with the last of the great vaqueros. After World War II, he broke and sold wild horses in Oregon, working with the top buckaroos in the northwest cow country. Swanson’s landscapes are real because he’s been there. He paints from personal observation, with a sensitive eye that can catch and hold all the movements of horse and rider.
Swanson’s bronze sculptures and oil paintings have appeared in many top Western magazines, including Western Horseman, for which he created ten covers. In 1980, he was featured in an article in Time magazine. In 2002, Swanson was named Westerner of the Year at the Western Ranchers Beef Cooperative’s sixth annual profit conference, where he was honored as a defender of property rights and ranching. “Ranchers are environmentalists,” he says. “Their livelihood depends on their good care of the range. Their families are the type of honest and hardworking people that built America. Their roots are in the land, many for generations, and their land keeps improving under their care.”
Swanson’s work is collected by all types of people, from broken-down cowboys to famous celebrities. President Ronald Reagan hung one of Swanson’s oils in the Oval Room of the White House. His work also hangs in the National Cowboy and Western Heritage Museum, the C M Russell Museum, and the National Center for American Western Art.